CHINOPERL Papers No. 9 (1979–1980)
Rulan Chao Pian: Musical Analysis of the Medley Song, “The Courtesan’s Jewel Box”
Shuying Tsao: Xiangsheng and the Performer Hou Baolin
George A. Hayden: Li Li-weng: A Playwright on Performance
Chun-kin Leung: The Cantonese Opera in Guangzhou in 1979
Richard F.S. Yang: The Peking Opera in 1979
Irmgard Johnson: An Interview with the son of Mei Lan-fang
Jane Chu Djang: Peking Opera at the Met in 1980
Jo Humphrey: The Fujian Hand Puppets in New York in 1980
Rinnie Tang-Loaec: The 19th-Century Recordings and Costumes of Peking Opera in the Musée de l’homme, Paris
CHINOPERL Papers No. 8 (1978)
Susan Blader: San-hsia wu-yi and its Link to Oral Literature
Richard F. Strassberg: Buddhist Storytelling Texts from Tun-huang
Isabel K.F. Wong: The Printed Collections of K’un-ch’ü Arias and Their Sources
Chun-jo Liu: Five Major Chant Types of the Buddhist Service, Gong-tian
Rulan Chao Pian: “The Courtesan’s Jewel Box,” A Medley Song—Text and Musical Transcription
CHINOPERL Papers No. 7 (1977)
Chun-kin Leung: Notes on Cantonese Opera in North America
Sophia Delza: From the Classical Chinese Theatre to the Revolutionary Peking Opera
Bell Yung: A Trip to Sok Gu Wan with a Cantonese Opera Troupe
Jan W. Walls: The Bamboo Clapper Tale
David Holm: Report on an Experiment with Yangge Dance and Music
Gary Seaman: Ethnographic Film from the Field to the Classroom: Film Records of Popular Religion in China
CHINOPERL Papers No. 6 (1976)
Eugene Eoyang: The Oral Element in Chinese Fiction: Notes toward a Phenomenology
Stephen West: Some Remarks on the Development of Northern Drama
Richard Strassberg: The Singing Techniques of K’un-ch’ü and their Musical Notations
Ch’ung-ho Chang Frankel: The Practice of K’un-ch’ü Singing from the 1920’s to the 1960’s
Pen-yeh Tsao: P’ing-t’an Music: A Preliminary Study
Bell Yung: Reconstructing a Lost Performance Context: A Field Work Experience
Kate Stevens: Sea-Swallow—Translation of Crosstalk
CHINOPERL News No. 5 (1975)
Proceedings at the Fifth Meeting (1973) of the Conference
Eugene Anderson: Songs of the Hong Kong Boat People
Charles Wivell: The Chinese Oral and Pseudo-Oral Narrative Tradition
Fredric Lieberman: Some Contributions of Ethnomusicology to the Study of Oral Literature
Proceedings at the Sixth Meeting (1974) of the Conference
Bell Yung: The Role of Speech Tone in the Creative Process of the Cantonese Opera
Chun-jo Liu: Oral Recitals
Richard F.S. Yang: Revolutionary Opera
CHINOPERL News No. 4 (1974)
Letter from the Editor
Communications from Members
Proceedings at the Third Meeting of the Conference
Proceedings at the Fourth Meeting of the Conference
Rulan Pian: An Interim Bibliography for the Chinese Oral Tradition
Catherine Stevens: Chinese Folk Entertainment: A Collection of Tapes with Matching Texts (Catalogue)
Reports on Field Research:
Chun-jo Liu: Hong Kong and Taiwan in 1960–1970
Rulan Pian: 1964, 1956-1966, 1971
Mailing Lists: page 138
CHINOPERL News No. 3 (1973)
Letter from the Editor
Chun-jo Liu with Ling-te Liao and Michael Welch, A Descriptive Catalogue of Recordings of the Buddhist Rite for the Dead
- Introduction
- Data on the Tapes and Terms
- Location, Duration and Titles or Tune Titles
- Textual Forms, Musical Styles, Metric Configurations
- Text Incipits and Textual Sources
- Tabulations and Indices
- Bibliography