CHINOPERL Papers No. 9 (1979–1980)
Musical Analysis of the Medley Song, "The Courtesan's Jewel Box"
RULAN CHAO PIAN
Xiangsheng and the Performer Hou Baolin
SHUYING TSAO
Li Li-weng: A Playwright on Performance
GEORGE A. HAYDEN
The Cantonese Opera in Guangzhou in 1979
CHUN-KIN LEUNG
The Peking Opera in 1979
RICHARD F.S. YANG
An Interview with the Son of Mei Lan-fang
IRMGARD JOHNSON
Peking Opera at the Met in 1980
JANE CHU DJANG
The Fujian Hand Puppets in New York in 1980
JO HUMPHREY
The 19th-Century Recordings and Costumes of Peking Opera in the Musée de l'homme, Paris
RINNIE TANG-LOAEC
CHINOPERL Papers No. 8 (1978)
San-hsia wu-yi and its Link to Oral Literature
SUSAN BLADER
Buddhist Storytelling Texts from Tun-huang
RICHARD F. STRASSBERG
The Printed Collections of K'un-ch'ü Arias and Their Sources
ISABEL K.F. WONG
Five Major Chant Types of the Buddhist Service, Gong-tian
CHUN-JO LIU
"The Courtesan's Jewel Box," A Medley Song—Text and Musical Transcription
RULAN CHAO PIAN
CHINOPERL Papers No. 7 (1977)
Notes on Cantonese Opera in North America
CHUN-KIN LEUNG
From the Classical Chinese Theatre to the Revolutionary Peking Opera
SOPHIA DELZA
A Trip to Sok Gu Wan with a Cantonese Opera Troupe
BELL YUNG
The Bamboo Clapper Tale
JAN W. WALLS
Report on an Experiment with Yangge Dance and Music
DAVID HOLM
Ethnographic Film from the Field to the Classroom: Film Records of Popular Religion in China
GARY SEAMAN
CHINOPERL Papers No. 6 (1976)
The Oral Element in Chinese Fiction: Notes toward a Phenomenology
EUGENE EOYANG
Some Remarks on the Development of Northern Drama
STEPHEN WEST
The Singing Techniques of K'un-ch'ü and their Musical Notations
RICHARD STRASSBERG
The Practice of K'un-ch'ü Singing from the 1920's to the 1960's
CH'UNG-HO CHANG FRANKEL
P'ing-t'an Music: A Preliminary Study
PEN-YEH TSAO
Reconstructing a Lost Performance Context: A Field Work Experience
BELL YUNG
Sea-Swallow—Translation of Crosstalk
KATE STEVENS
CHINOPERL News No. 5 (1975)
Proceedings at the Fifth Meeting (1973) of the Conference
Songs of the Hong Kong Boat People
EUGENE ANDERSON
The Chinese Oral and Pseudo-Oral Narrative Tradition
CHARLES WIVELL
Some Contributions of Ethnomusicology to the Study of Oral Literature
FREDRIC LIEBERMAN
Proceedings at the Sixth Meeting (1974) of the Conference
The Role of Speech Tone in the Creative Process of the Cantonese Opera
BELL YUNG
Oral Recitals
CHUN-JO LIU
Revolutionary Opera
RICHARD F.S. YANG
CHINOPERL News No. 4 (1974)
Letter from the Editor
Communications from Members
Proceedings at the Third Meeting of the Conference
Proceedings at the Fourth Meeting of the Conference
An Interim Bibliography for the Chinese Oral Tradition
RULAN PIAN
Chinese Folk Entertainment: A Collection of Tapes with Matching Texts (Catalogue)
CATHERINE STEVENS
REPORTS ON FIELD RESEARCH
Hong Kong and Taiwan in 1960–1970
CHUN-JO LIU
1964, 1956–1966, 1971
RULAN PIAN
CHINOPERL News No. 3 (1973)
Letter from the Editor
A Descriptive Catalogue of Recordings of the Buddhist Rite for the Dead (Introduction; Data on the Tapes and Terms; Location, Duration and Titles; Textual Forms, Musical Styles, Metric Configurations; Text Incipits and Textual Sources; Tabulations and Indices; Bibliography)
CHUN-JO LIU WITH LING-TE LIAO AND MICHAEL WELCH