CHINOPERL Papers No. 15 (1990)
Structural Cyclicity in Shuihu Zhuan: From Self to Sworn Brotherhood
SAMUEL H.N. CHEUNG
Zhu Youdun's Plays as a Guide to Fifteenth-Century Performance Practice
W.L. IDEMA
"Felling the Ancient Sweetgum": Antiphonal Folk Epics of the Miao of Southeast Guizhou
MARK BENDER
Reflexivity in the Humor of Xiangsheng
DAVID MOSER
The Slopes of Changban: A Beijing Drumsong in the Liu Style (with translation)
KATE STEVENS
The Poetic Functions and the Oral Transmission of Chinese Proverbs
BRONISLAWA KORDAS
The Role of Avocational Performers in the Preservation of Kunqu
LINDY LI MARK
Hsü Wei as Drama Critic: An Annotated Translation of the Nan-tz'u Hsü-lu, by K.C. Leung (review)
HANS H. FRANKEL
CHINOPERL Papers No. 14 (1986)
Glowing Clouds in an Azure Sky: A Newly Discovered Royal Pageant (trans. Lindy Li Mark and Samuel H.N. Cheung)
WU XIAOLING
Text and Musical Transcription of a Kaipian, "Birthday Wishes from the Eight Immortals"
RULAN CHAO PIAN
"Stuck in Xiangsheng"
PERRY LINK
Kunju Theatre in the Transvestite Novel: Pinhua Baojian
LINDY LI MARK
The Blind Singers of Guangzhou (transcribed by Chen Bing-han, translated by Bell Yung)
WEN LI-RONG
Argosies of Wonder on the Rivers and Lakes: Memories of the Guanju Troupe (trans. and annot. by Lindy Li Mark)
YUNHE ZHANG
The Wall, a Folk Opera in Four Acts (trans. and annot. with an introduction by Chang Li-ching and Victor Mair)
PU SONGLING
CHINOPERL Papers No. 13 (1984–1985)
The Autobiography of the Drum Singer, Jang Tsueyfenq (as told to Liou Fang)
RULAN CHAO PIAN
The Relations between Narrator and Characters in Yuefu Ballads
HANS FRANKEL
Three Decades of Kunqu in Modern China, 1956–1985
JI HU
Research Activities in the Performing Arts in the Republic of China
WANG CH'IU-KUEI
Popular Chinese Literature and Performing Arts, ed. Bonnie S. McDougall (review)
JAN W. WALLS
CHINOPERL Papers No. 12 (1983)
Tone and Tune in Kunqu
LINDY LI MARK
Musical Elements in the Peking Opera Bah Wang Bye Ji
RULAN CHAO PIAN
"Yan Chasan Thrice Tested": Printed Novel to Oral Tale
SUSAN BLADER
The Chinese Shadow Theatre Today
JO HUMPHREY
A Newly Identified Fragment of the "Translation of Wang Ling"
VICTOR MAIR
"Rotten Big Drum" (concluded)
BELL YUNG
"A Short Life": A Shandong Pattertale
KATE STEVENS
CHINOPERL Papers No. 11 (1982)
Spoken Drama from 1978: Limited Innovation
EDWARD GUNN
Recent Developments in Spoken Drama
SHU-YING TSAO
Li Shimin, Prince of Qin: Dramatic Presentation as Art
AI-LI S. CHIN
The Present State of Influence of Western Theatre on Spoken Drama Production in the People's Republic of China
ELIZABETH J. BERNARD
China's New Musical Play
SHEN CHENG-ZHOU
Peking Opera Today: Some Views of Performers
PAMELA C. WHITE
Popular Narrative in the Pleasure Houses of the South: "Rotten Big Drum"
BELL YUNG
The Empty City Ruse: A Xiangsheng by Hou Baolin and Guo Qiru
KATE STEVENS
Field Report
SUSAN BLADER AND KATE STEVENS
CHINOPERL Papers No. 10 (1981)
Lay Students and the Making of Written Vernacular Narrative: An Inventory of the Tun-huang Manuscripts
VICTOR MAIR
The 15th-Century Shuo-ch'ang tz'u-hua as Examples of Written Formulaic Composition
DAVID ROY
The Dramatic Potential of Xi Shi, Elite versus Popular Elements in Huanshaji and Jiopaji
CYRIL BIRCH
The Yueh Lung Shadow Theatre, an Example of Cultural Preservation
JO HUMPHREY
New Yang'ge, the Case of A Worthy Sister-in-Law
ELLEN JUDD
Cantonese Folksongs: Authentication by Linguistic Criteria
JOHN MCCOY