CHINOPERL Papers No. 23 (2000–2001)
The Collecting and Editing of Taoist Ritual Texts
C. K. WANG
Sithat Auk Boht: A Tai Buddhist Tale from Yunnan
SARA DAVIS
Die Merkwürdige Geschichte der Sai Jinhua, by Stephan von Minden (review)
JON KOWALLIS
Conference Report of Beyond Peony Pavilion, Ohio State University, Columbus Ohio, April 27–28, 2001
YU LI
CHINOPERL Papers No. 20–22 (1997–1999)
Dedication to Cyril Birch
Introduction
HUA-YUAN LI MOWRY
Character Design in The Peony Pavilion
WEI HUA
Yuzan Ji: Evolution, Legacy, and Criticism
EDMOND YEE
Feng Menglong and the Late-Ming Articulation of Sentiment
VICTORIA B. CASS
Reconstructing Truth through Fifteen Strings of Cash
HUNG-NIN SAMUEL CHEUNG
Passion and Compassion in Feng Menglong's Literary World
HUA-YUAN LI MOWRY
Murder by Number: On Coincidence and Cosmological Assurance in Crime-case Fiction
MARSTON ANDERSON
Festivals for Lu Xun: the "Lesser Tradition" and National Identity Construction
JON KOWALLIS
Lao She's Philosophy and The Philosophy of Lao Zhang
JEANNETTE FAUROT
Transcendents, Sorcers, and Women Warriors: Huanzhulouzhu's Mountain Sword-warriors of Sichuan
ROBERT L. CHARD
Occidentalism and Alterity: Native Self and Foreign Other in Chen Yingzhen and Shusaku Endo
LUCIEN MILLER
The Subversive Fiction of Yu Hua
MARSHA L. WAGNER
Notes on the Chinese Modernism-Realism Debates
WENDY LARSON
Chinese Courtship: The Huajian Ji in English Translation
K. C. LEUNG
Translation of a Sanqu Lyric from Ma Zhiyuan's Dongli Yuefu
LINDA WANG
Simplicity, Otherness, and Poetic Language
DAVID PALUMBO-LIU
Peter Sellars' Avant-Garde Production of Peony Pavilion
CATHERINE SWATEK
In Appreciation of Cyril Birch; Scholar and Teacher; The Writings of Cyril Birch
CYRIL BIRCH
CHINOPERL Papers No. 19 (1996)
Lao She and Chinese Folk Literature
PETER LI
Keys to Performance in Kunming Storytelling
MARK BENDER
The Mismatch; Ouyang Yuqian and Theater Report in Nantong, 1919–1922
QIN SHAO
Longing for Worldly Pleasures: An Example of the Sacred vs. the Profane in Contemporary Chinese Drama
MICHELLE DIBELLO
Chinese Traditional Theater: A Revival in the 1990s?
COLIN MACKERRAS
Pop Music Commands a Huge Audience Today: An Interview with the Young Composer Li Lifu (trans. Peter Mimic)
PETER MIMIC
Ritual and Scripture in Chinese Popular Religion: Five Studies, ed. David Johnson (review)
KATHERINE CARLITZ
International Workshop on Oral Literature in Modern China, Copenhagen, August 29–31, 1996. Conference Report
LINDY LI MARK
CHINOPERL Papers No. 18 (1995)
Obituary: Wu Xiaoling
Narrative Voices in Yangzhou Storytelling
VIBEKE BØRDAHL
Xuetou: Comic Elements as Social Commentary in the Suzhou Pinghua Storytelling
WENWEI DU
The Oral Transmission of a Late-Nineteenth Century Harngjou Lyric
RICHARD VAN NESS SIMMONS
Enacting Loyalty: History and Theatricality in The Peach Orchard Pledge
KIMBERLY BESIO
From Performance to Text: Combat Format on Stage and Combat Descriptions in Fiction
YAO YAO
Food, Political Satire, Two Themes in Sichuan Mulian Ritual Drama: the 1993 Symposium Performance
LINDY LI MARK
Studies in Chinese Ritual and Ritual Theater: A Bibliographical Report
CH'IU-KUEI WANG
A Chinese-English Dictionary of Enigmatic Folk Similes (Xiehouyu), by John Rosenow (review)
FAN PEN CHEN
South of the Clouds: Tales from Yunnan, ed. Lucien Miller (review)
GRACE WIERSMA
CHINOPERL Papers No. 17 (1994)
Dedication to Harold Shadick
Oral Performing Literature in Traditional Chinese Fiction: Non-realistic Usages in the Jin Ping Mei Cihua and Their Influence
DAVID ROLSTON
CHINOPERL Papers No. 16 (1992–1993)
Dedication to Rulan C. Pian
Letter from the Editors
The Mum Sparrow: Non-vegetarian Xiangsheng in Action
PERRY LINK
Wen Bai Yi Du, Literary and Colloquial Forms in Yangzhou Storytelling
VIBEKE BØRDAHL
Cantonese Opera in a Colonial Cultural Context
GREGORY GULDIN
The Many Faces of Yang Guifei in Chinese Drama
FAN PEN CHEN
Eating the Mosquito: Transmission of a Chinese Children's Folksong
DANA BOURGERIE
Dreams in Tang Xianzu's Plays
WEI HUA
From Toisan to New York: Muk'yu Songs in Folk Tradition
SU DE SAN ZHENG
Report on the International Conference on Chinese Southern Opera (Nanxi) and Mulian Opera
DAVID JOHNSON